Skip to content

The body electric:The shamanic spirit in twentieth century music

Michael Tucker

Contemporary Music Review 1996 DOI: 10.1080/07494469600640171 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Topics Shamanism
Citations 2
Key points Argues that shamanism, with its emphasis on altered consciousness, offers archetypal visionary insight into the psyche and closely resembles the Jungian notion of individuation. Contends that jazz shares much with shamanic experience and that Jan Garbarek's pan-tonal and pan-rhythmic music exemplifies the healing presence of the shamanic or individuated spirit in twentieth-century music.

Abstract

Recently there has been a strong revival of interest in the phenomenon of shamanism — the pre-Judæo-Christian, nature-based religion of ecstatic states of mind described by Mircea Eliade in Shamanism: Archaic Techniques of Ecstasy. With its emphasis upon altered consciousness, shamanism offers archetypal visionary insight concerning the nature of the psyche. It has come to be seen to have much in common with the key Jungian notion of individuation or fully developed and integrated consciousness. Following consideration of shamanic musicality within so-called traditional cultures this century (Tuva, Saamiland and Native America) various aspects of twentieth century Western music, including both Art and Pop music, are examined in the light of shamanic ideas. It is argued that Jazz, in particular, has much in common with shamanic experience. In conclusion, the pan-tonal and pan-rhythmic music of Norwegian saxophonist / composer Jan Garbarek is examined as exemplifying the healing presence of the shamanic — or individuated — spirit in twentieth century music.

Comparable studies

Other theoretical and historical papers on shamanism, most cited first.

Explore topics