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Cognitive Neuroscience, Shamanism and the Rock Art of Native California

David S. Whitley

Anthropology of Consciousness March 1, 1998 DOI: 10.1525/ac.1998.9.1.22 (opens in new tab)

Summary

AI-generated from the abstract

Combining ethnographic and cognitive neuroscience research sheds light on the origin and symbolism of Native Californian rock art. The ethnographic record shows that the art depicts mental imagery and somatic hallucinations from trance, representing supernatural experiences. A cognitive neuroscience perspective suggests the shamanistic state of consciousness was often unpleasant, involving negative emotions, rather than primarily ecstatic. Biochemical changes during trance required making rock art to preserve the memory of these experiences.

Study at a glance

Characteristics Theoretical or philosophical paper Peer reviewed
Citations 68
Key finding Argues that Native Californian rock art depicts trance-induced mental imagery and somatic hallucinations, that the shamanistic state often generated unpleasant emotions, and that biochemical changes during trance necessitated making rock art to preserve the memory of supernatural experiences.

Abstract

The combination of ethnographic and cognitive neuroscience research provides considerable insight into the origin and symbolism of Native Californian rock art. Although made by different social groups for different purposes in various parts of the state, the ethnographic record demonstrates that the art depicts the mental imagery and somatic hallucinations of trance, taken to represent supernatural experiences. When this art is viewed from a cognitive neuroscience perspective, it suggests that the shamanistic state of consciousness was far from primarily "ecstatic," instead often involving the generation of unpleasant emotions; and that biochemical changes during trance necessitated the making of rock art if the memory of these supernatural experiences was to be preserved.

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