In this chapter, we situate aesthetic emotions within the embodied-enactive framework of the mind. Building on central enactive accounts of art, Noë’s account of art as reorganizational practice and Gallagher’s account of the unaffordable in aesthetic experience, we examine the transformative potential of aesthetic engagement while highlighting a remaining challenge: these approaches leave...
This paper argues that the still-emerging paradigm of situated cognition requires a more systematic perspective on media to capture the enculturation of the human mind. By virtue of being media, cultural artifacts present central experiential models of the world for our embodied minds to latch onto. The paper identifies references to external media within embodied, extended, enactive, and...
In this paper, I review recent enactive approaches to art and aesthetic experience. Radical enactivists (Hutto, 2015) claim that our engagement with art is extensive, in the sense that it is non-contentful and artifact-including. Gallagher (2011) defends an embodied-enactive account of the specific kind of affordances artworks provide. For Noë (2015) art is a reorganizational practice. Each of...