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Performance, Landscape, and Shamanism in Werner Herzog’s 'Of Walking in Ice'

Giselle Bader

Fieldwork in Religion October 15, 2018 DOI: 10.1558/firn.35568 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Topics Shamanism
Key points Argues that Herzog's walk from Munich to Paris, undertaken to save Lotte Eisner's life, functions as a shamanic performance recorded as an incantation, and that publishing Of Walking in Ice produced a lasting shift in his public persona as an eccentric artist and outsider.

Abstract

This article examines Werner Herzog's 1978 diary Of Walking in Ice (Vom Gehen im Eis) as fundamental in establishing his eccentric public persona as an artist. His decision to walk from Munich to Paris in an effort to save Lotte Eisner's life is read as a shamanic performance. Herzog records this performance as an incantation played out across the magical backdrop of the Germanic forest, its periphery, and towns along the way. His performance speaks to the connection between himself and Eisner, of the importance of continuity in art, and of the artist's role as an outsider. Ultimately, the publication of Herzog's performance allows for a permanent shift in his public persona.

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