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Theory of Technomagic: Spells, Ecstasy and Possessions in Digital Culture

Vincenzo Valentino Susca

Comunicação e Sociedade October 17, 2023 DOI: 10.17231/comsoc.44(2023).4612 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Topics MDMA
Citations 1
Key points Argues that digital culture actualises Durkheim's "social divine" through online rituals, spiritually elevated objects and images, and emotionally dense, weakly institutionalised online communities. Proposes that digital sociality transfigures profane everyday life into mythical and mystical experience and that this imaginary reshapes the technology-society relationship under a paradigm the authors call "technomagic".

Abstract

The rituals, ceremonies and effervescence of the sacred manifest themselves in digital culture not only through the proliferation of new religious cults. They do so through the online actualisation of traditional religious forms but also the spiritual elevation of objects (Houtman & Meyer, 2012), practices (Carolyn, 2014) or ephemeral, playful and dreamlike images (Susca, 2016). In most cases, they involve figures that evoke the most sensitive and immaterial aspects of experience: its flesh (Esposito, 2004; Henry, 2000) and its imaginary (Durand, 1992). This is the actualisation of what Durkheim (2008) called the “social divine”. We are thus witnessing the proliferation of a multitude of small churches characterised by a low degree of institutionalisation and a high symbolic and emotional density (Maffesoli, 2020). In this sense, digital sociality acquires a decisive value in transfiguring ordinary life, the realm of the profane, into a mythical and mystical experience, brushing up against the sacred in its wildest form (Bastide, 1975). Indeed, the relationships that emerge from these media landscapes reveal a capacity to associate what is separate in time and space, previously belonging to the spiritual and transcendent orders (Davis, 1999). Thus, the culture of connection and sharing actualises in secular spheres a whole set of symbolic experiences reminiscent of religious mysteries (Campbell, 2012). This imaginary modifies the modern relationship between technology and society according to a paradigm that could be called “technomagic”.

Comparable studies

Other theoretical and historical papers on MDMA, most cited first.

Study Year Design Participants
Differences Between the Mechanism of Action of MDMA, MBDB, and the Classic Hallucinogens. Identification of a New Therapeutic Class: Entactogens 1986 Theoretical or philosophical paper
The Background and Chemistry of MDMA 1986 Historical analysis
The origin of MDMA (ecstasy) revisited: the true story reconstructed from the original documents* Original documents in Merck's historical archive in Darmstadt, Germany, years 1900–1960 2006 Historical analysis
Distinct neural mechanisms for the prosocial and rewarding properties of MDMA 2019 Theoretical or philosophical paper
How could MDMA (ecstasy) help anxiety disorders? A neurobiological rationale 2009 Theoretical or philosophical paper

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