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Reconfiguration of Korean Shamanic Ritual: Negotiating Practices among Shamans, Clients, and Multiple Ideologies

Dong-kyu Kim

Journal of Korean Religions October 1, 2012 DOI: 10.1353/jkr.2012.0023 (opens in new tab)

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AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Topics Shamanism
Key points Argues that shamanic rituals should be understood as negotiating practices between shamans, clients, and competing ideologies rather than as expressions of an unchanging essence. Proposes that the ritual "matrix" allows shamans to reinforce their shamanship through looping effects between academic discourse and self-identity, and that mukkuri serves as an initiatory stage for further negotiation while modern kut performances undergo reconfiguration.

Abstract

In this paper, I suggest that shamanic rituals should be understood as negotiating practices between shamans, clients, and competing ideologies rather than as expressing or conveying an unchanging essence or meaning. Here, the ritual space is assumed to be a "matrix" in which these practices occur and hence shamans can verify and reinforce their shamanship, which is constructed by the looping effects between academic discourses and shamans' self-identity creation. Within the matrix, shamans make their rituals seem more plausible and efficacious while encountering their client's various needs. Based upon practice theory and such concepts as looping effects and the matrix, I will here examine two kinds of shamanic ritual. First, I examine mukkuri (무꾸리, divination), which I define as an initiatory stage for further negotiation processes, such as kut or other rituals, while trying to show how a shaman utilizes a specific divinatory style to strengthen the plausibility of his or her divination. Second, I introduce some outstanding aspects of the reconfiguration of modern kut performance, and explicate the cause of those reconfigurations. This approach to shamanic rituals will provide an alternative interpretive framework to overcome "Restoristic Folklore Scholarship."

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