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Animals do tell tales: Grimm’s Monogatari (物語) and Zen, a polylogue between worlds

Thibault Arthur Tien

Inter Asia papers June 2, 2026 DOI: 10.5565/rev/interasia.7 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Topics Buddhism Mysticism
Keywords Contemplation Archetype Gautama buddha Grasp Spirituality Aesthetics Epistemology Spiritual practice Theology Discernment Dimension graph theory
Key points Argues that contemplative practice using tales, paradoxes, and archetypes can form the basis of a spiritual pedagogy that fosters inter-religious recognition and awakening to a broader reality.

Abstract

In this article we examine the intertwining of Zen Buddhism, Christian Mysticism and Archetypes through traditional Zen contemplative practice and tales collected by the Brothers Grimm. Ana María Schlüter Rodés (1935-1925), philosopher, theologian and Zen master, disciple of Yamada Kōun Roshi (1907-1989), writes and teaches Zen through contemplation, kōans —Zen paradoxes used to awaken practitioners to grasp intuitively the Buddha mind—, parables and tales, pointing to a common spiritual reality. The aim of this article is to explore this rich polylogue and show how a contemplative practice rooted in tales, paradoxes and archetypes appears as fundamental for establishing a spiritual pedagogy forged in dialogue and a common inter-religious recognition through the understanding of different contemplative traditions with the aim to awaken ourselves to a wider dimension of reality, understanding Nature, symbols and every living being as potential masters for the hearts eager to listen.

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