Mystic on a Tilting Stage: Julian of Norwich’s Performance of English Visionary Devotion
Religions December 22, 2023 DOI: 10.3390/rel14121466 (opens in new tab) via DOAJ
Summary
AI-generated from the abstractJulian of Norwich presents herself not as an author but as a revelator, mirroring John's acts of unveiling visions and divine dialogue in the Biblical Revelations. Her longer Revelations of Divine Love layers authorizing and devotional steps to frame the work as a gift for her community. Julian's daring yet orthodox visions address spiritual authority and individual faith amid the rise of Lollardy. The article examines how Julian's Revelation of Divine Love functions as contemplative drama, comparing it with The Mirror of the Blessed Life of Christ and The Cloud of Unknowing. Julian's revelations show interior contemplation transformed into collective acts of devotion, demonstrating the interchange between vernacular mysticism and public devotion through affective piety and performed spiritual dialogue.
Study at a glance
| Characteristics | Theoretical or philosophical paper Peer reviewed |
|---|---|
| Topics | Mysticism |
| Keywords | Medieval english Christian contemplative practice Apocalypse Devotional performance |
| Key finding | Argues that Julian of Norwich's Revelations of Divine Love transforms interior contemplation into collective acts of devotion, handling issues of spiritual authority and individual faith made urgent by Lollardy. |
Abstract
Julian of Norwich’s performance within her longer Revelations of Divine Love involves layers of authorizing and devotional steps that frame it as a gift for her community. She presents herself not as an author, but as a revelator, in step with John’s acts of unveiling his visions and dialogue with the divine in the Biblical Revelations. Examining Julian’s act of presenting her visions in writing demonstrates how her daring yet insistently orthodox visions handle issues of spiritual authority and individual faith made urgent by the rise of Lollardy. My work with Julian’s Revelations is the foundation for a wider argument about the interchange between vernacular mysticism and public devotion through their use of affective piety and the performance of spiritual dialogue. In this article, I examine Julian of Norwich’s Revelation of Divine Love to determine how it works as contemplative drama. I also look at The Mirror of the Blessed Life of Christ and The Cloud of Unknowing to set up Julian’s performance of contemplative devotion and the potential pitfalls of a pious English readership. Julian’s revelations demonstrate where interior contemplation is transformed into collective acts of devotion.