Wounds and One-Ing: How a “Creative–Critical” Methodology Formed Fresh Insights in the Study of Julian of Norwich, Voicing Her Christian Mysticism Today

Abstract

Post-Theoretical “creative–critical” research recently emerged in the discipline of Creative Writing as a collapse of the binaries between practice and Theory. This article shows that using this interdisciplinary methodology in the study of mysticism is a natural fit, illustrating its efficacy in a case study with the reflexive writing of the medieval Christian mystic Julian of Norwich. As a creative–critical writer and researcher, I explored the junctures where Julian’s poetics intersect with trauma-informed theology. Writing through these intersections formed a literary trauma-informed framework for the holding and processing of loss and grief through Julian’s nuanced modelling of mystical union with God. This case study shows how the framework came together critically and its application to contemporary ecological grief in the writing of a performative long poem, Blue: a lament for the sea. The “theopoetic” making process with two images from Julian’s texts, Christ’s “wounds” and “one-ing”, developed new language for liminal and spiritual experience. Insights from creative–critical research can be shared in artistic performance and publication in the academy and beyond in public impact. Bringing the whole self through theopoetics to the scholarly research of mysticism has the potential to form fresh insights, revealing new dimensions.