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Stambali: Dissociative Possession and Trance in a Tunisian Healing Dance

Eli Somer, Meir Saadon

Transcultural Psychiatry December 1, 2000 DOI: 10.1177/136346150003700406 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Qualitative study Peer reviewed
Population Jewish-Tunisian immigrants in Israel who practice Stambali
Citations 50
Key findings Stambali functions as a healing and exorcism ritual for Jewish-Tunisian immigrants, using trance induction to externalize intrapsychic conflicts, particularly for oppressed women.

Abstract

This study investigated Stambali, a Tunisian trance-dance practiced in Israel as a healing and a demon exorcism ritual by Jewish-Tunisian immigrants. The authors observed the ritual and conducted semi-structured ethnographic interviews with key informants. Content analysis revealed that Stambali is practiced for prophylactic reasons (e.g. repelling the ‘evil eye’), for the promotion of personal well-being, and as a form of crisis intervention. Crisis was often construed by our informants as the punitive action of demons, and the ritual aimed at appeasing them. Communication with the possessing demons was facilitated through a kinetic trance induction, produced by an ascending tempo of rhythmic music and a corresponding increased speed of the participant’s movements of head and extremities. The experience was characterized by the emergence of dissociated eroticism and aggression, and terminated in a convulsive loss of consciousness. Stambali is discussed in terms of externalization and disowning of intrapsychic conflicts by oppressed women with few options for protest.

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