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Dancing the Wild Divine: Drums, Drugs, and Individuation

D. J. Moores

Journal of Jungian Scholarly Studies March 23, 2020 DOI: 10.29173/jjs126s (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Topics Mescaline Shamanism
Keywords Unconscious mind Individuation Transpersonal psychology Psychoanalysis Value mathematics Field mathematics Dance Aesthetics Epistemology Hallucinogen Visual arts Theology Jungian analytical psychology
Citations 2
Key points Argues that ecstatic rites, including those using psychedelics, have value in depth work, contra Jung's cautionary stance.

Abstract

For complex reasons, Carl Jung was apprehensive of ecstatic rites in which participants dance to hypnotic drumming and transcend normal states of ego. He was also strongly opposed to the use of LSD, mescaline, and other psychotropic agents often used in such rites, cautioning that psychedelics facilitate access to unconscious energies one is ill-equipped to absorb. This paper represents a challenge to Jung's thinking on both issues. Drawing upon recent research in shamanic studies and the once-again blossoming field of psychedelic research, D. J. Moores demonstrates the limitations of Jung's caution and argues for the value of ecstatic rites in depth work.

Comparable studies

Other theoretical and historical papers on mescaline, most cited first.

Study Year Design Participants
Schizophrenia: A New Approach. II. Result of a Year's Research 1954 Theoretical or philosophical paper
Thought insertion as a self-disturbance: An integration of predictive coding and phenomenological approaches 2016 Theoretical or philosophical paper
Entactogens: How the Name for a Novel Class of Psychoactive Agents Originated 2022 Theoretical or philosophical paper
Steric and Electronic Relationships among Some Hallucinogenic Compounds 1970 Theoretical or philosophical paper
EFFECT OF DRUGS One individual 1952 Theoretical or philosophical paper n = 1

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