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Jekyll and Hyde Revisited: Paradoxes in the Appreciation of Drug Experiences and Their Effects on Creativity

Jos Ten Berge

Journal of Psychoactive Drugs September 1, 2002 DOI: 10.1080/02791072.2002.10399961 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Topics Psilocybin
Keywords Feeling Possession linguistics Creativity Experiential learning Irrational number Agency philosophy Aesthetics Psychoanalysis Epistemology
Citations 13
Key points Argues that the cultural dichotomy of interpreting intoxication as either possession or liberation obscures the paradoxical nature of the drug experience, which can involve both feelings simultaneously.

Abstract

Historically, states of intoxication--like dreams and madness--are seen in either one of two opposed ways. The intoxicated are either "possessed" or "under the influence" of an external agency, or revealing hidden feelings or truths (in vino veritas). Along the same lines, artists who worked during LSD, mescalin or psilocybin intoxication often refer to feelings of either being "possessed" or "liberated," a difference that can be explained partly by their expectations and partly by their evaluations, which both tend to conform to the cultural dichotomy in interpreting the irrational. Both interpretations, however, tend to obscure not only the other, but also-it is posited-the paradoxical nature of the drug experience itself. Analysis of a protocol shows that intoxication might comprise feelings of "possession" as well as "liberation" almost simultaneously, and mediumistic and some psychedelic art shows stylistic traits that can be seen as the visual expressions of both these feelings. It seems that the "demoniacal" and "psychedelic" mode come together in experiential reality, only to be divided in the cultural sphere.

Comparable studies

Other theoretical and historical papers on psilocybin, most cited first.

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