Colonial Influence, Opium Trade, and Romantic Imagination: A Postcolonial Reading of Thomas De Quincey’s “Confessions of an English Opium-Eater
Udaya Raj Paudel
Quest Journal of Management and Social Sciences October 7, 2026 DOI: 10.3126/qjmss.v8i3.100684 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Qualitative literary-critical study Peer reviewed |
|---|---|
| Key findings | Argues that opium in De Quincey's Confessions functions as a colonial commodity linking personal addiction and reverie to British imperial commerce, and that the text's inwardness is historically entangled with imperial modernity. Contends that colonial influence operates through commodities, bodies, urban spaces, and forms of imagination, not only through explicit political discourse. |
Abstract
Background: Romantic literary scholarship has increasingly examined the relationship between Romantic imagination and British imperial expansion, yet the material role of colonial commodities in shaping metropolitan consciousness remains comparatively underexplored. Thomas De Quincey’s Confessions of an English Opium-Eater provides a significant site for examining this relationship because its account of addiction, memory, reverie, and altered consciousness is closely connected to opium as a globally circulated colonial commodity.
Purpose: This study examines how colonial commerce, opium consumption, Orientalist representation, and Romantic imagination intersect in De Quincey’s Confessions. It specifically explores how imperial structures enter metropolitan consciousness through commodities, urban space, racialized representation, and imaginative experience. Design/methodology/approach: The study employs a qualitative literary-critical methodology combining close textual analysis, historical contextualisation, and postcolonial-materialist interpretation. The analysis draws on Bhabha’s concept of colonial ambivalence, Pratt’s “imperial eyes,” postcolonial approaches to representation, and materialist perspectives on commodity circulation.
Results: The analysis demonstrates that opium functions not merely as a stimulant or metaphor for addiction but as a colonial commodity linking personal experience with imperial commerce. References to East Indian opium, London’s labyrinthine geography, the figure of the Malay, and opium-induced reverie reveal connections among colonial trade, metropolitan identity, racialized imagination, and Romantic aesthetics. The study further shows that De Quincey’s inwardness is historically entangled with the material structures of imperial modernity.
Conclusion: The study positions Confessions as an important literary archive of the relationship between Romantic consciousness and empire. It demonstrates that colonial influence operates not only through explicit political discourse but also through commodities, bodies, spaces, and forms of imagination.