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Choreographing the site of impermanence: Performing body with Buddhist philosophy and meditation in movement-based performance

Tanatchaporn Kittikong

Dance, Movement & Spiritualities July 1, 2015 DOI: 10.1386/dmas.2.1.57_1 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Topics Buddhism Meditation
Citations 1
Key points Argues that Buddhist practices of mindfulness of the body, particularly when combined with movement and performance, can offer an experiential route to a 'direct experience' of being that transcends attachment to body and self. The author reflects on this from an insider perspective within Thai Buddhist culture, while noting that the tradition's core teaching of non-self resists intellectual analysis.

Abstract

This article offers some in-depth reflections on the body in Buddhism, and particularly the concept of ‘impermanence’ and ‘mindfulness of body’. I explore here, how the body is classified and intellectualized in Buddhist culture and tradition, with a focus on definitions and practices of Buddhist Theravada, including: Satipatthana, Vipassana Meditation, Nama-Rupa and Kayagatasati. I offer further reflections on my own work as a performer and choreographer, and the experience of applying, experiencing and reflecting on the Buddhist body in performance. From these in-depth observations that are derived from my deep immersion in Buddhist culture, my work as a performer/lecturer, and my doctorate, I focus specifically on the practice of ‘mindfulness’ and movement, which offers an experiential access route to a ‘direct experience’ of being; a state beyond attachments to body and notions of self. Notably, I am an insider cultured in Thai Buddhist traditions and culture – and from this standpoint, I both reflect on, and engage in, an intellectually rich, and complex spiritual traditional that ironically holds at its core the lesson to pursue non-self, and hence resists analysis and intellectualism.

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