Merleau-Ponty's Phenomenology of Perception
November 3, 2022 DOI: 10.1017/9781009223416 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Theoretical or philosophical paper |
|---|---|
| Topics | Philosophy of mind |
| Key points | Argues that the body schema, through its motor intentionality, is central to Merleau-Ponty's theory of projective being in the world, organizing posture and perceptual fields as we realize projects. Contends that lived bodies are ineliminably expressive, both animated and outcome oriented, and situates Merleau-Ponty's work in relation to the Kantian and phenomenological traditions. |
Abstract
This is an advanced introduction to and original interpretation of Merleau-Ponty's greatest work, Phenomenology of Perception. Timothy Mooney provides a clear and compelling exposition of the theory of our projective being in the world, and demonstrates as never before the centrality of the body schema in the theory. Thanks to the schema's motor intentionality our bodies inhabit and appropriate space: our postures and perceptual fields are organised schematically when we move to realise our projects. Thus our lived bodies are ineliminably expressive in being both animated and outcome oriented through-and-through. Mooney also analyses the place of the work in the modern philosophical world, showing what Merleau-Ponty takes up from the Kantian and Phenomenological traditions and what he contributes to each. Casting a fresh light on his magnum opus, this book is essential reading for all those interested in the philosophy and phenomenology of the body.