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The Mystical Experience in Doris Lessing’s Early Fiction

Hajer El Arem

Les enjeux de l’écriture mystique December 15, 2020 DOI: 10.17184/eac.3666 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Topics Mystical experience
Key points Argues that Doris Lessing's engagement with Sufism provides a template for her protagonists' reconstructive journeys, and that Martha Quest in Children of Violence escapes solipsism through spiritual assent, best incarnating the Sufi concept of awakening by moving beyond ego-centeredness to become a witness of others' lives.

Abstract

In her later career, the British woman writer Doris Lessing (1919-2013) becomes interested in Sufism, which “believes itself to be the substance of that current which can develop man to a higher stage in his evolution”[^1]. This interest in Sufi philosophy provides a template for the protagonists’ reconstructive journey in Doris Lessing’s novels. In fact, the heroines transcend the limits of ego-centeredness and gain the kind of superior knowledge beyond immanence—“the limits of the matter, the body, sensibility, being worldliness.”[^2] This article therefore sheds light on this specific dimension and reveals how Martha Quest, the protagonist of _Children of Violence_, manages to escape her solipsistic world through spiritual assent and best incarnates the concept of awakening central to Sufism. No longer individualistic and self-centered, the heroine of Doris Lessing’s novel stands as a witness of and reflector upon the surrounding selves and their life conflicts.

Comparable studies

Other theoretical and historical papers on mystical experience, most cited first.

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