The Inheritance and Development of Chinese Manchu Shamanic Music
Chonglei Zhao, Pongsapich Kaewkulthorn, Surasak Jamnongsarn
International Journal of Sociologies and Anthropologies Science Reviews September 5, 2025 DOI: 10.60027/ijsasr.2025.7266 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Mixed methods (archival analysis, ethnographic fieldwork, semi-structured interviews) Peer reviewed |
|---|---|
| Sample size | 12 |
| Population | Shamans and cultural inheritors in Heilongjiang, Jilin, and Liaoning provinces |
| Topics | Shamanism |
| Key findings | The authors argue that Manchu shamanic music, characterized by pentatonic structures and syncretism with Han Chinese traditions, faces erosion due to aging practitioners (average over 60 years) and low youth awareness (under 12%). They propose that sustainable preservation requires interdisciplinary strategies balancing cultural authenticity with innovation, such as AI-assisted melodic analysis, community-driven initiatives, gamification, hybrid performances, and policy-supported training. |
Abstract
Background and
Aim: Manchu shamanic music, a vital component of Northeast China’s intangible cultural heritage since its 2010 designation, faces existential threats from declining rituals, urbanization, and global cultural influences. Rooted in Tungusic traditions, it integrates spiritual communication through pentatonic scales and ritual practices, yet risks erosion due to aging practitioners and waning youth engagement. This study examines the artistic characteristics of Manchu shamanic music and evaluates its inheritance status and developmental strategies, aiming to bridge preservation and modernization.
Materials and Methods: Utilizing mixed methods, the research combines archival analysis of Qing-era texts, ethnographic fieldwork in Heilongjiang, Jilin, and Liaoning provinces, and semi-structured interviews with 12 shamans and cultural inheritors. Fieldwork included participant observation in eight rituals and documentation of regional variations.
Results: The music features pentatonic structures (predominantly Zhi mode), three-note melodies, and 2/4 rhythms, reflecting syncretism with Han Chinese traditions. Historically, it influenced folk arts like Errenzhuan theater and Taiping Drum dance. Modern revitalization efforts include artistic innovations (e.g., Dongchui Border Drum dance drama) and digital adaptations (e.g., Nishan Shaman game). Challenges include aging shamans (average >60 years) and low youth awareness (<12%).
Conclusion: Sustainable preservation requires interdisciplinary strategies: integrating AI for melodic analysis, fostering community-driven initiatives, and enhancing youth engagement via gamification. Balancing cultural authenticity with innovation, such as hybrid performances and policy-supported training, can transform shamanic music into a dynamic, living tradition amidst globalization.
Comparable studies
Other qualitative studies on shamanism, most cited first.
| Study | Year | Design | Participants |
|---|---|---|---|
| "Plantas con madre": plants that teach and guide in the shamanic initiation process in the East-Central Peruvian Amazon. Curanderos, apprentices, and herbalists in East-Central Peru, including Mestizo,... | 2011 | Qualitative study | n = 36 |
| Purging and the body in the therapeutic use of ayahuasca Healers and participants in shamanic tourism contexts of the Peruvian Amazon and... | 2019 | Ethnography with literature review | n = 227 |
| The Globalization of Ayahuasca Shamanism and the Erasure of Indigenous Shamanism Western tourists and indigenous peoples in Iquitos, Peru | 2016 | Ethnography | |
| Shamanism and Rock Art in Far Western North America Historic hunter-gatherer cultures of California and the Great Basin | 1992 | Ethnographic review and analysis | |
| Working with “La Medicina”: Elements of Healing in Contemporary Ayahuasca Rituals Ayahuasqueros and Western participants in shamanic tourism in Iquitos, Peru | 2012 | Ethnography |