Le spectre de l’affect inversé et l’espace des émotions
Éditions de l’École des hautes études en sciences sociales eBooks 1995 DOI: 10.4000/books.editionsehess.10129 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Theoretical or philosophical paper Peer reviewed |
|---|---|
| Citations | 2 |
| Key points | Argues that the possibility of inverted emotions can be addressed using a strategy analogous to the Hayek-Harrison response to color inversion, which holds that sensory impressions exhibit a structured order that inversion would not preserve. Proposes that this requires developing an account of the order exhibited by emotions, and contends that analogies between visual and affective qualia are important to that enterprise. |
Abstract
Sensory impressions, like emotions and feelings, are qualia if anything is. A spectre haunts the philosopher of perceptual qualia, the possibility of the inverted spectrum. Might I seem to see something red where you seem to see something green, although I behave just the way you do, although we are both looking at something that is green, in optimal circumstances? An analogous possibility arises in the case of emotions. Might I feel intense pleasure where you feel intense pain, intense erotic jealousy where you just feel a pleasant frisson, although I behave just as you do? One response to the possibility of colour reversal or transposition, due to Hayek and Harrison, is to point to the fact that sensory impressions are not mere atoms, they exhibit a certain order, an order which would not survive inversion. Thus, the suggestion goes, inversions of the sorts described would not preserve the fact that some sensory impressions, such as orange, are binary impressions or the fact that blue is darker than yellow. The author proposes to explore a similar strategy with respect to the possibility of inverted emotions. This involves, in the first place, providing some account of the order exhibited by emotions. As we shall see, the analogies and connexions between visual and affective qualia turn out to be important to such an enterprise.