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Some indications of shamanism in Arasbaran rock carvings

Jalal Rafifar

Documenta Praehistorica December 31, 2007 DOI: 10.4312/dp.34.15 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Ethnological and archaeological field research Peer reviewed
Population Rock carvings and drawings in northern Iranian Azerbaijan
Duration Four seasons, 1998–2002
Topics Shamanism
Citations 9
Key points The rock art reveals cultural connections and diffusion across prehistoric Anatolia, Caucasus, Zagros, and central Iran; animal symbolism is interpreted within ancient Iranian and Caucasian traditions.

Abstract

Four seasons (1998–2002) of ethnological and archaeological researches in the northern part of the Iranian Azerbaijan have revealed hundreds of carved and scratched drawings and figures on rocks and in subterranean rock-shelters. An anthropological study reveals remarkable information about the situation and the limits of the cultural domains, the cultural relations and the process of cultural diffusion in the prehistory at the intersection of Anatolia, Caucasus, Zagros and the central plateau of Iran. The human and animals figures and signs are contextualized and ichnographically interpreted. The animal symbolism is discussed in the contexts of ancient Iran and Caucasus art and tradition.