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Arte Visionario con San Pedro y Ayahuasca en Ecuador, en diálogo con el mundo Kichwa

Susan Elizabeth Rocha

Proa Revista de Antropologia e Arte August 19, 2026 DOI: 10.20396/proa.v16i00.20719 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Qualitative study Peer reviewed
Sample size 5
Population Five contemporary Ecuadorian artists
Topics Ayahuasca Mescaline
Key findings Argues that ritual ingestion of San Pedro and Ayahuasca functions as a catalyst for differentiated states of consciousness, positioning the plants as co-authors of artworks. Visions are presented as a self-ethnographic praxis that interacts with highland and Amazonian indigenous cosmopolitics.

Abstract

This research addresses visionary practices in contemporary Ecuadorian art, focusing on their relationship with the ritual ingestion of San Pedro (Echinopsis pachanoi) and Ayahuasca (Banisteriopsis caapi). From a perspective grounded in animist ontologies, which understand nature as a vast web of interconnected beings with interiority, the study analyzes how these master plants function as catalysts of differentiated states of consciousness for artists and, to some extent, as co-authors of their works. Such experience facilitates the materialization of the ineffable and the emergence of memories, both individual and collective, which are manifested in the work of the artists Marcelo Aguirre, Inty Muenala, Elías Mamallacta, Miguel Varea, and Angélica Alomoto in dialogue with the Kichwa world. In their work, visions stand as a self-ethnographic praxis that interacts in complex ways with two distinct indigenous cosmopolitics, those of the highlands and the Amazon. For this purpose, visual analysis and in-depth interviews with the creators were used.