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Ayahuasca on Stage

Richard G. Alexander

2025 DOI: 10.1007/978-3-032-01008-7_7 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper
Topics Ayahuasca
Keywords Narrative Context archaeology Tourism Perspective graphical Ethnography
Key points Argues that ayahuasca tourism in Iquitos is co-constructed through narrative themes ('The Medicine', 'The Shaman', 'Mother Ayahuasca') that are imported and performatively reproduced, rather than reflecting authentic local traditions.

Abstract

AbstractThis chapter explores the city of Iquitos, Peru, as a dramaturgical setting for ayahuasca ‘shamanism’ tourism. It examines how foreign tourists and local actors co-construct narrative meanings around ayahuasca experiences through cultural, economic, and symbolic exchange. The chapter critiques motivational typologies in previous studies, arguing for a more nuanced, narrative-based understanding of touristic engagement with ayahuasca. It further identifies recurring narrative themes such as ‘The Medicine’, ‘The Shaman’, and ‘Mother Ayahuasca’, highlighting their problematic dimensions as imported, performatively reproduced concepts.

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