Technologies of Hypnagogia: Altered Perception and Religions in Avant-Garde Electronic Music
Jason Bivins
Religions March 5, 2026 DOI: 10.3390/rel17030324 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Theoretical or philosophical paper Peer reviewed |
|---|---|
| Topics | Dreaming |
| Keywords | Perception Consciousness Element criminal law Intersection aeronautics Electronic music Affect linguistics Aesthetics Cognitive science Epistemology Communication |
| Key points | Argues that the lineage from John Cage through William Basinski provides a compelling addition to the study of religion and sound/music. |
Abstract
One important element of twentieth-century avant-garde composition is the intersection between advances in technology and transformations in religious consciousness and experience. This piece argues that the lineage from John Cage through Pierre Schaeffer, Pauline Oliveros, Alvin Lucier, Eliane Radigue, and William Basinski make for a compelling addition to the study of religion and sound/music.
Comparable studies
Other theoretical and historical papers on dreaming, most cited first.
| Study | Year | Design | Participants |
|---|---|---|---|
| Dreaming: a conceptual framework for philosophy of mind and empirical research | 2016 | Theoretical or philosophical paper | |
| Metaphor and hyperassociativity: the imagination mechanisms behind emotion assimilation in sleep and dreaming | 2015 | Theoretical or philosophical paper | |
| Varieties of Lucid Dreaming Experience | 2000 | Theoretical or philosophical paper | |
| Experimental Research on Dreaming: State of the Art and Neuropsychoanalytic Perspectives | 2011 | Theoretical or philosophical paper | |
| The Neurobiology of Consciousness: Lucid Dreaming Wakes Up | 2009 | Theoretical or philosophical paper |