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Sufi symbolism of the beloved and the sea in Ahmadun Yosi Herfanda’s poetry: A perspective of Braginsky’s theory

Sujarwoko Sujarwoko, Suhartono Suhartono, Marista Dwi Rahmayantis

KEMBARA Journal of Scientific Language Literature and Teaching April 30, 2026 DOI: 10.22219/kembara.v12i1.41914 (opens in new tab) via OpenAlex

Summary

AI-generated from the abstract

Symbols in Sufi poetry serve both aesthetic and spiritual functions, but prior analyses have often treated religious and existential imagery separately. This study applies Vladimir Braginsky's symbolic-Sufi framework to analyze the symbols of the Beloved and the sea in Ahmadun Yosi Herfanda's poetry. The Beloved represents the ultimate goal of union with the Divine, while the sea symbolizes the spiritual journey marked by longing, trials, and alienation. Together, these symbols form a unified mystical structure connecting journey and union, showing that mystical experience in this poetry is integrative and multidimensional. The work contributes a systematic analytical framework combining relational and processual dimensions of Sufi symbolism.

Study at a glance

Characteristics Qualitative textual analysis Peer reviewed
Population Selected poems of Ahmadun Yosi Herfanda
Topics Mysticism
Keywords Poetry Symbol formal Interpretation philosophy Relation database
Key finding The Beloved symbol represents the ultimate goal of union with the Divine, and the sea symbolizes the spiritual journey; both are integrated into a unified mystical structure connecting journey and union.

Abstract

Studies on Sufi poetry indicate that symbolism functions not only as an aesthetic expression but also as a medium of complex spiritual experience. However, previous research often separates religious symbols from existential imagery, resulting in fragmented interpretations of meaning. This study aims to analyze the symbols of the Beloved and the sea in the poetry of Ahmadun Yosi Herfanda using a Sufi symbolic approach. This research employs a qualitative method of textual analysis grounded in Vladimir Braginsky's symbolic-Sufi framework. The data consist of selected poems analyzed through symbol identification, interpretation of meaning, and their relation to Sufi concepts. The findings reveal that the Beloved's symbol represents the ultimate goal of union with the Divine. At the same time, the sea symbolizes the spiritual journey characterized by longing, trials, and alienation. Both symbols are integrated into a unified mystical structure connecting journey and union. The study concludes that mystical experience in Ahmadun Yosi Herfanda’s poetry is integrative and multidimensional. Its scholarly contribution lies in developing a Sufi symbolic reading that combines relational (Beloved) and processual (sea) dimensions within a systematic analytical framework.

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