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A phenomenological analysis of Fellini's films to understand the effect of LSD therapy on his creativity

Antonio Metastasio, Silvio Mignogna, Riccardo Paci, Milena Mancini, Fabio Melelli, Enrico Lando, Ornella Corazza, Giovanni Stanghellini

Drug Science, Policy and Law 2023 DOI: 10.1177/20503245231186723 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Intervention LSD
Topics LSD
Keywords Creativity Filmmaking Dream Adjective Perception Aesthetics Psychoanalysis Literature Epistemology Movie theater Psychotherapist Linguistics
Key points Proposes that LSD use in controlled therapeutic settings enhanced Fellini's filmmaking and creativity, leading to distinctive stylistic features such as irregular time, brilliant detached colors, and blurred dream-reality boundaries.

Abstract

Since its discovery in 1943, LSD has been used by artists, scientists, and intellectuals, amongst others, to stimulate their creative insights. Federico Fellini, one of the most important film directors in the XX century, used LSD when it was still legal under the guidance of his psychoanalyst during a phase of personal and creative crisis. This article proposes a phenomenological analysis of how his filmmaking and his creativity was enhanced after using LSD in such controlled therapeutic settings, according to four main domains: (a) time, (b) space, (c) body and others and (d) perception of the self. In particular, time flows irregularly and is punctuated by disorienting flashbacks, colours become supernaturally brilliant and detached from objects, sounds pop up independently from any visible source, and human bodies become often deformed, grotesque and caricatural. The boundaries between dream- and reality-worlds also collapses. His films became so distinctive and original that an adjective was coined felliniesque.

Comparable studies

Other theoretical and historical papers on LSD, most cited first.

Study Year Design Participants
The Experimental Use of Psychedelic (LSD) Psychotherapy 1970 Historical analysis
LSD: My Problem Child 1981 Historical analysis
On the Use and Abuse of LSD 1968 Theoretical or philosophical paper
The Use of Music in Psychedelic (LSD) Psychotherapy 1972 Theoretical or philosophical paper
Flashbacks: Recurrent Intrusive Images After the Use of LSD 1969 Theoretical or philosophical paper

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