Distributed Cognition in Victorian Culture and Modernism
September 1, 2020
Melba Cuddy-Keane
This chapter’s purpose is two-fold: to propose an approach to distributed cognition as qualia and to probe modernist narratives and cultural history for insights about such qualia’s effects. Following Daniel Dennett’s distinction between scientific ontology, dependent on empirically verifiable (or falsifiable) truth, and ‘manifest ontology,’ or the truth of what someone is experiencing, the...
Distributed Cognition in Victorian Culture and Modernism
September 1, 2020
Marion Thain
The modernity of late-nineteenth-century visualities has been influentially and persistently located in a disembodiment of the eye. Yet this was a period which saw theorists of aesthetic perception such as Vernon Lee and Bernard Berenson developing embodied formulations of vision that put sight and the other senses into intimate dialogue. Starting with Vernon Lee’s writing on ‘empathy’ and...
Distributed Cognition in Victorian Culture and Modernism
September 1, 2020
Emily T. Troscianko
Nietzsche’s writing and thought about the mind challenge some of the same Cartesian dichotomies that the more recent frameworks of 4E and distributed cognition do. Zur Genealogie der Moral (On the Genealogy of Morals), a highpoint in Nietzsche’s project of the ‘Umwertung aller Werte’ (revaluation of all values), is a proclamation of perspectivism: there is no objective perception and nothing...
Distributed Cognition in Victorian Culture and Modernism
September 1, 2020
Kerry Watson
This chapter discusses how the Surrealists engaged with techniques like automatic drawing, the exquisite corpse, collage, frottage and decalcomania, and how this might be interpreted in the context of theories of distributed cognition, enactivism, embodiment, and the extended mind. The Surrealists’ use of ‘objective chance’ was driven by a belief in the existence of an unconscious state of mind...
Distributed Cognition in Victorian Culture and Modernism
September 1, 2020
Peter J. Garratt
The modern identification of the mind with the brain has its roots in the intellectual traditions of the nineteenth century. Isolating the brain as the seat of mental experience, and as the organ of the mind, emerged in the empirical work of Franz Joseph Gall and Johann Spurzheim and became a central, normative assumption of Romantic and Victorian culture, cutting across literary and...
Distributed Cognition in Victorian Culture and Modernism
November 1, 2018
Miranda Anderson, M. Wheeler, Mark Sprevak
The general introduction, which is replicated across all four volumes, aims to orientate readers unfamiliar with this area of research. It provides an overview of the different approaches within the distributed cognition framework and discussion of the value of a distributed cognitive approach to the humanities. A distributed cognitive approach recognises that cognition is brain, body and world...