The essence of the neurophenomenological “twist” in architecture resides in its particular strength for a more concrete approach to the issue of architectural experience in its multi-sensorial richness. By placing human experience at the centre of architectural design – acknowledging the phenomenal body as the only genuine architectural subject – this specific union of the latest...
The article develops a fundamental conception of atmospheres which is incorporated into a phenomenology of the felt body [Leib]. It builds on a critique of a splitting of the world into a private inner world as the location of experience and of emotions, and an external world that is separated off from that – a split already made in antiquity. Set against this notion is the conception of the...
In recent years, the theory of atmospheres has extended beyond phenomenology and aesthetics, informing a wide variety of descriptive practices in the humanities. Diverse scholarly fields such as anthropology and architecture, musicology and art criticism now include the notion of atmospheric space in their methodological toolkits. The descriptive practices of lived space, however, entail...
This article explores new perspectives on Alfred N. Whitehead’s process philosophy through a micro-phenomenological investigation of the experience of atmospheres. Whitehead’s philosophy and micro-phenomenology are both interested in something before it becomes a perceivable quality, yet from a different angle. Atmospheres, always at the brink of our awareness, are taken as a field of possible...