With a focus on the 1970s—in particular, narratives recounting Michel Foucault’s 1975 LSD experience at Zabriskie Point in Death Valley, as well as Michelangelo Antonioni’s 1970 film Zabriskie Point—this article seeks to recover any politically or aesthetically radical potential that psychedelics might still retain, given neoliberalism’s recent recouperation, containment, legalization,...