This essay discusses feminist ideas in connection to the occulture—Christopher Partridge’s term for the re-enchantment of art, popular culture, and everyday life through esoteric and spiritual currents—present in opera, musical theater, and film, focusing on femmes fatales, tricksters and ‘wicked women’ in a transcultural approach to religion, (Western) esotericism, and the performing arts. The...
This essay discusses feminist ideas in connection to the occulture present in opera, musical theatre, and film, focusing on femme fatales, tricksters and ‘wicked women’ in a transcultural approach to religion, (Western) esotericism, and the performing arts. A culturally critic debate is facilitated here via the spiritual-scientific embodiment of Afro-Brazilian traditions, as seen through the...