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Buddhist Modernism and the American Vipassana Movement

Joseph Cheah

Oxford University Press eBooks October 28, 2011 DOI: 10.1093/acprof:oso/9780199756285.003.0003 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Historical analysis Peer reviewed
Topics Buddhism Meditation
Key points Argues that understanding "modern Buddhism" requires attention to how Burmese Buddhist modernists and American vipassana pioneers converged in disseminating and adapting vipassana meditation, and examines the modernist approaches of key figures on both sides.

Abstract

This chapter began with the contextualization of the historical circumstances in Burma and the United States that brought about the interactions between these two groups; namely, Burmese Buddhist specialists (monks and lay meditation teachers) and the American vipassana practitioners. It argues for a more comprehensive understanding of what “modern Buddhism” means for various constituents by investigating the ways in which some of the key figures of both Asian Buddhist modernists (e.g., Mahasi Sayadaw, U Ba Khin, Ajahn Cha) and the pioneers of American vipassana movement (e.g., Jack Kornfield, Joseph Goldstein, Sharon Salzburg) converged with respect to the dissemination of vipassana meditation. It examines modernist approaches of these central figures of both East and West in the adaptation of vipassana meditation.

Comparable studies

Other theoretical and historical papers on meditation, most cited first.

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