The vultures of Kalabasput: On the interpretation of a series of unusual Karoo rock engravings
David Morris
Journal of Arid Environments. August 1, 2017 DOI: 10.1016/j.jaridenv.2016.11.010 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Theoretical or philosophical paper Peer reviewed |
|---|---|
| Key points | Argues that the rare vulture engravings at Kalabasput may have acted as metaphors for altered states of consciousness within a framework of shared beliefs and values, and that local places and histories influenced the creation of unique or uncommon images, with the art forming part of a dynamic, ongoing elaboration of tradition rather than a passive reflection of it. |
Abstract
A rock engraving site at Kalabasput in the Upper Karoo, South Africa, includes an unusual set of engravings featuring vultures. In relation to the ‘frequently depicted’ subject matter of South African rock art – such as eland and ostrich – images of vultures are rare. The site provides an opportunity for considering these unusual images relative to a background of “shared, transcending beliefs and values”, showing how they may have acted as metaphors for altered states of consciousness. But the paper points further to the possible ways in which the contingencies of particular places and histories may have influenced the production of unique or uncommon images. The art, it is suggested, was not merely the passive reflection of a cultural or rock art tradition but, given particular contexts, was part of its dynamic, on-going elaboration.