ESOTERIC MOTIVES IN KAZAKH PROSE
Alua Tanzharikova, Darikha A. Satemirova
BULLETIN Series of Philological Sciences December 9, 2020 DOI: 10.51889/2020-4.1728-7804.68 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Theoretical or philosophical paper Peer reviewed |
|---|---|
| Key points | Argues that Kazakh prose writers developed a new coloristic mode and drew on animistic, totemic, and ancestral-cult concepts, including grave veneration and remembrance of the dead. Contends that Tengrian cosmogonic faith, archetypal origins, and esoteric mystical consciousness in Kazakh prose continue a tradition uninterrupted from oral literature. |
Abstract
In this article the innovation, genre searches and esoteric motives are considered in Kazakh literature. The Kazakh writers, who have researched the national color in the Kazakh literature and they formed a new coloristic, found out the animistic, totemic concepts, the cult of ancestors, the cult, the traditions of venerating graves and the memory of people who have left the world, and the peculiarities of using esoteric cult concepts. The tengrian cosmogonic faith, cult, archetypal origins and esoteric mystical consciousnesses are interpreted in Kazakh prose within the framework of a tradition uninterrupted by oral literature.