A PRÁTICA DO SILÊNCIO NO TRABALHO TEATRAL E PARATEATRAL
François Kahn, Priscilla Duarte
PÓS Revista do Programa de Pós-graduação em Artes da EBA/UFMG May 27, 2018 DOI: 10.35699/2238-2046..15625 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Theoretical or philosophical paper Peer reviewed |
|---|---|
| Key points | Kahn argues that silence is a significant element at the intersection of the performing arts and contemplative practices, and he analyzes its use and quality in his own work, particularly in the contiguity between paratheatre and theatre in the projects L'Atelier (Volterra, Italy) and Caminhos do Silêncio (Ravena/Sabará, Brazil). |
Abstract
In this article, the author highlights silence as a significant element in the intersection between the field of the performing arts and that of contemplative practices. François Kahn describes and analyzes the use and quality of silence in his practices, particularly in the contiguity between paratheatre and theatre, in the projects L'Atelier, in Volterra (Italy) and Caminhos do Silêncio in Ravena/Sabará, MG (Brazil).