ANDAR, DANÇAR, MEDITAR
Gilson Motta, Tania Alice
PÓS Revista do Programa de Pós-graduação em Artes da EBA/UFMG May 27, 2018 DOI: 10.35699/2238-2046..15623 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Theoretical or philosophical paper Peer reviewed |
|---|---|
| Key points | Argues that itinerant performance art, exemplified by the authors' projects Audioética itinerante and Dança livre para todos, operates as a spiritual practice that interweaves ethics, aesthetics, spirituality, and politics, drawing on Buddhist meditation-in-motion traditions. |
Abstract
The text discusses performance art as a spiritual practice, considering the interweaving of ethics, aesthetics, spirituality and politics. Based on the concept of itinerant performances and their relationship with the practices of meditation in motion present in Buddhist practices, the text focuses on two projects carried out by the authors: Audioética itinerante (Itinerant AudioEthics), by Gilson Motta and Dança livre para todos (The Dance Project), by Tania Alice.