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Silence, Darkness, and Dirt: Mysticism and Materiality in The Years and Between the Acts

Elizabeth Anderson

Liverpool University Press eBooks 2018 DOI: 10.5949/liverpool/9781942954422.003.0014 (opens in new tab)

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AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Topics Mysticism
Key points Argues that Woolf's novels do not simply set religiosity against secularism but instead intertwine spirituality and materiality, a 'material mysticism' in which mystical consciousness emerges from mundane locations and objects and in which darkness and silence, traditionally markers of an absent transcendent divine, are located in the material and present. The author contends this material mysticism is a crucial component of modernism's religious imagination.

Abstract

Recent treatments of the role of religion in Virginia Woolf’s novels have posited a tension between religiosity and secularism, but this paper explores the conjunction of spirituality and materiality in Woolf’s work. Rather than posing a tension between mainstream religion and materiality, I argue for an unorthodox view of spirituality in which, despite their apparent contradiction, the mystical and the material are deeply interrelated. This material mysticism is demonstrated in the sacred charge of everyday objects, mystical consciousness (one interpretation of ‘moments of being’) emerging out of mundane locations and encounters (explored here in relation to The Years and Between the Acts) and the redeployment of key tropes of the mystical tradition. In the tradition of negative theology or apophatic mysticism, darkness and silence are frequently used to describe the divine as transcendent, unknowable and absent. Yet in Woolf’s novels darkness and silence are configured as located in the mundane, the material and presence. This paper argues that the material mysticism of Woolf’s writing provides a crucial component of the religious imagination of modernism.

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