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A Phenomenological Meditation on Shinya Tsukamoto’s Vital

George Berguno

Existential Analysis: Journal of the Society for Existential Analysis 2015 DOI: 10.65828/99ta3553 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Topics Meditation
Key points Argues that the "phenomenological meditation," a form of writing exemplified by a reading of Shinya Tsukamoto's film Vital, is an act of rebellion against intellectual constraints and reveals the film as a reflection on the lived body. Contends that, unlike procedural phenomenology, the phenomenologist's primary task is to awaken wonder and reverence for phenomena.

Abstract

The present paper pays tribute to Shinya Tsukamoto, one of Japan's best known, albeit controversial, filmmakers. To begin with, the author identifies a form of writing called the phenomenological meditation; and claims this unique form of writing as an act of rebellion against intellectual constraints. The author then proceeds to illustrate the phenomenological meditation by means of a description of Shinya Tsukamoto's (2004) film Vital. Tsukamoto's film is thus revealed as a profoundly insightful reflection on the lived body. Finally, the author contrasts the phenomenological meditation with procedural forms of doing phenomenology; and concludes that the phenomenologist's primary task is to awaken a profound sense of wonder in, and reverence for, phenomena.

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