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Kristeva's Thérèse: Mysticism and Modernism

Carol Mastrangelo Bové

Journal of French and Francophone Philosophy May 31, 2013 DOI: 10.5195/jffp.2013.567 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Topics Mysticism
Key points Argues that Kristeva's Thérèse mon amour contributes to understanding Catholic mysticism's impact on Western categories of women, particularly through Thérèse's mysticism and the modernist use of a feminine figure to subvert practices threatening psychic and social vitality. The essay also contends that Kristeva's psychoanalytic approach to Catholicism raises questions about stereotypes it may feed, especially that of the masochistic woman.

Abstract

This essay focuses on Julia Kristeva’s recent volume Thérèse mon amour: Sainte Thérèse d’Avila (2008), describing and placing this blend of novel, play, psychoanalytic cultural theory, and case history in the context of her work. I argue that the volume contributes to an understanding of religion’s impact—especially Catholic mysticism--on Western categories of women. I address in particular Thérèse’s mysticism and modernist use of a feminine figure to subvert practices threatening the vitality of the psyche and of social relations. As in Kristeva’s earlier writing, her psychoanalytic approach to Catholicism’s influence continues to raise questions concerning the apparent stereotypes the approach may feed, especially that of the masochistic woman.

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