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A probe inside the poetic form of mysticism of Slovak Romantic Messianists

Petra Kaizerová

The Figurativeness of the Language of Mystical Experience 2021 DOI: 10.5817/cz.muni.p210-9997-2021-17 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Topics Mysticism
Key points Argues that Slovak Romantic Messianic poets acted as mystagogues, using expressive and thematic means—archaisms, neologisms, speculative etymologism, syncretic forms, and complex strophic structures—to mediate mystical experience and initiate readers into God's plans for transforming the world; their work, though often relativized, remains an important testimony of its epoch.

Abstract

The Slovak Romantic Messianism is perceived by us as a phenomenon growing from a specific current epochal situation relating to a relatively rich tradition, which existed in the Slovak cultural context already in previous historical periods. By considering the characteristic features of production, its existence was often relativised. Nevertheless, it represents an important testimony of a concrete epoch. Its artistic implementation (perhaps today more than in the past) is being well appreciated, thanks to its interesting form and to its expressive and narrative strength or value. By focusing our attention on its expressive and thematic means, it is possible to prove that the authors tried to mediate a mystical experience to the readers. As mystagogues, they introduced and initiated the readers to the mysteries of God’s plans aiming at transformation of this world. In this sense, through their literary production, they invoked and prayed God to give them a chance to live a direct mystic experience in the reality. By pursuing this purpose, they filled their poetry with curious archaisms and neologisms (the so-called self-creation of language). They gave way to a speculative etymologism and poetical forms. Generally, they were syncretically stylying poetical shapes. And they often exploited experiments or complex strophic structures.

Comparable studies

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