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Aimé Césaire: Possession as Paradigm of Consciousness

J. Allen-Paisant

Cultural Critique September 1, 2022 DOI: 10.1353/cul.2022.0046 (opens in new tab)

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AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Key points Argues that spirit possession provides a philosophical paradigm through which Césaire challenges European humanism, anchoring Négritude in a decolonial conception of humanness that links ancient Greece to Haitian Vodou. Proposes that Césaire's theorization of "poetry" as knowledge, engagement, and production involving energy exchanges and human participation in the living world reframes Négritude as a deep poetic sensibility with its own metaphysics and ethical commitment to earth and land.

Abstract

Abstract:This essay particularizes Césaire's poetic project through the lens of spirit possession, showing how spirit possession offers a philosophical paradigm through which Césaire challenges the narrative of European humanism, anchoring Négritude in an alternative, decolonial sense of what it means to be human. Articulating a view of humanness that connects the world of ancient Greece to that of Haitian Vodou, Césaire's theorization of "poetry" (as a mode of knowledge, engagement, and production that involves energy exchanges and human participation in the living world) brings useful perspectives to current debates surrounding capitalist crises, ecological collapse, and epistemic freedom. Through the links made between "spirit," "poiesis," and "animism" here, this essay expands understandings of Césaire's work and Négritude. From a weak iteration of Pan-Africanism or strong senses of diaspora, the latter is reframed as a deep poetic sensibility with its own metaphysics and ethical commitment to earth and land and their entanglement with Being.

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