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Lorca’s Immanent Mysticism

May 23, 2023 DOI: 10.3726/b18940 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper
Topics Mysticism
Key points Argues that Federico García Lorca's late poetry and drama reveal an innate spiritual potential shaped by Christian, Sufi, Buddhist, and other mystical traditions, and proposes reading The Tamarit Divan, Sonnets of Dark Love, and Yerma through a framework the author calls "Lorca's Immanent Mysticism," which follows Lorca's own aesthetic theory of duende-inspired creation and reception.

Abstract

This book explores Federico García Lorca’s late poetry and drama within its context of mysticism. Lorca’s singular language reveals compelling evidence of innate spiritual potential, influenced by poets from Christian, Sufi, Buddhist, and other mystic traditions, from his earliest works to its culmination in the technical mastery of his last poems. Guided by musicality and polyvalence, close readings of The Tamarit Divan, Sonnets of Dark Love, and Yerma offer a novel approach to seemingly obscure texts that resist conventional analysis. The methodology of Lorca’s Immanent Mysticism adheres to the poet-playwright’s own aesthetic theory. For Lorca, duende-inspired creation calls for equally inspired reception within true artistic experience. This groundbreaking study places Lorca not only within a contemporary spectrum of Modernist production, but, more importantly, within the framework of a new mysticism for our time.

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