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Postlude: Music, Poetry, and Mysticism in The Ottoman Empire

Walter Feldman

From Rumi to the Whirling Dervishes January 27, 2022 DOI: 10.3366/edinburgh/9781474491853.003.0011 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Historical analysis Peer reviewed
Topics Mysticism
Key points Argues that Rumi's legacy had no institutional basis in the Persianate world and was instead institutionally sustained by the Mevlevi Order in Anatolia and the Ottoman Empire, where Persianate Sufi musical practices were preserved and developed. Contends that the Mevlevis' cultural and economic resources and intellectual flexibility let them maintain this role for over six centuries and contribute to a "locally generated modernity" from the long 18th century onward.

Abstract

Rumi has been much appreciated as a Sufi poet throughout the Persianate World, from Bukhara and India to Iran itself. But today it is much less widely understood that Rumi’s legacy had no institutional basis in any of these countries. Through the Mevlevi Order of Dervishes this legacy had its center in the Seljuq and Karamanid states, and then the Ottoman Empire. Likewise, important elements of medieval Persianate Sufistic musical practices survived and were further developed in the Anatolian and later the Ottoman musical environments. Within this spiritual and cultural complex, human artistic creation held a highly significant role. Despite periods of political and economic instability, and the economic decline of most of Anatolia in relation to Istanbul and the European Ottoman provinces, the Mevlevis had both the cultural and economic resources to maintain the essence of this position for a period of over six centuries. In part due to their maintenance of the highest level of an Islamicate civilization close to its “classic” phase, the Mevlevis had the intellectual flexibility to help initiate the “locally generated modernity” of the long 18th century.They were also within its continuation under the harsher conditions of Western-oriented Ottoman modernity in the later 19th-early 20th centuries.

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