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The Cloud Over the Highway. On the Inescapability of Mystical Experience

Hans Joas

Konteksty Kultury July 14, 2023 DOI: 10.4467/23531991kk.23.002.17905 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Topics Mystical experience
Key points Argues that Adam Zagajewski's essays on poetry and poets illuminate mystical experience by regrouping William James's four criteria into the inescapability of mystical experience (transiency and passivity) and the "paradox of articulation" (ineffability and noetic quality). The author contends that Zagajewski's reflections on contemplation and art amid 20th-century violence challenge Max Weber's "disenchantment" narrative and carry implications for the future of religion.

Abstract

Adam Zagajewski’s essays on poets and poetry are interpreted here in the context of scholarly debates about the specificities of mystical experience. From the four criteria the great American philosopher and psychologist William James developed in 1902, “transiency” and “passivity” can be brought together as indicators of what I call the inescapability of mystical experience, while the two other criteria, namely “ineffability” and “noetic quality”, can be treated as what I call the “paradox of articulation”. The essay demonstrates how profound the reflections of the Polish poet on these questions are, how they are related to his views about the possibilities of contemplation and art in view of the history of violence of the 20th century and what they mean for the future of religion. The highly influential narrative of a world-historical process of ongoing “disenchantment” (Max Weber) loses much of its persuasiveness if these reflections are true.