Modernism, Mysticism and the Pursuit of Freedom - Bringing the initial instinct of the Modernists to its fulfilment in the model of the Christian mystic
Language Culture Politics International Journal December 9, 2021 DOI: 10.54515/lcp.2021.1.171-191 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Theoretical or philosophical paper Peer reviewed |
|---|---|
| Topics | Mysticism |
| Citations | 1 |
| Key points | Argues that emancipating art from moral authority and objective truth did not fully satisfy the modernist desire for freedom, and proposes that reconciling subjective experience with objective truth through St John Paul II's philosophical anthropology offers an alternative path to genuine freedom. |
Abstract
While one can certainly debate about the forms Modernism (in the artistic sense) manifested itself in and what actually qualified as Modernism, one cannot deny that the desire for freedom was one of its underlying tenets. In the 21st century it would seem however that the desire for freedom has not been satiated. In the following essay I will explore whether emancipating art from a moral authority achieved the freedom modernist artists so deeply desired and I will question whether severing himself from objective truth the artist was allowed to fully thrive. Comparing Modernist concept’s (Stream of consciousness, that art should reflect reality and the emphasis on subjectivity etc.) with the fundamentals of Christian mysticism (i.e. the interior life) and by reconciling subjective experience with objective truth through the use of St John Paul II’s philosophical anthropology – I hope to pose an alternative path to satiate, truly satiate, the Modernist’s thirst for freedom.