The Attentional Elsewhere: Phenomenal Space and the Displacement of Presence
Zenodo (CERN European Organization for Nuclear Research) September 19, 2026 DOI: 10.5281/zenodo.22844335 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Theoretical or philosophical paper Peer reviewed |
|---|---|
| Key points | Argues that attentional displacement is best understood as a redistribution of presence across phenomenal worlds rather than a movement of consciousness, and proposes four degrees of displacement—reference, representation, simulation, and inhabitation—with inhabitation marked by the absent world becoming the origin of the person's perspective. Presence is redefined as freedom of movement among actual, remembered, anticipated, and imagined worlds. |
Abstract
This paper develops a contemplative phenomenology of the attentional elsewhere: the condition in which a person remains bodily situated in one place while attention, affect, and practical orientation become organised within another phenomenal world. Accounts of mind wandering, perceptual decoupling, and mental time travel explain important aspects of attentional departure but do not describe how an absent situation acquires the coherence and authority of an inhabited environment. The paper distinguishes physical location, perceptual environment, lived space, and phenomenal world, arguing that displacement is a redistribution of presence rather than movement of consciousness. Memory supplies experiential materials, imagination extends them, affect gives them weight, narrative provides continuity, and embodiment makes the resulting world practically operative — though the body cannot follow, so that an absent world governs an organism it cannot contain. Four degrees of displacement are proposed — reference, representation, simulation, and inhabitation — with mobility treated as a separate dimension rather than a fifth degree, since a person may be unable to leave an episode of modest reorganisation. The decisive transition is positional rather than quantitative: inhabitation occurs when the absent world supplies the origin of the perspective, a criterion requiring a locus of exposure rather than imagery. A second dimension distinguishes retrospective, prospective, counterfactual, social, and mediated modes of absence. The scale is differentiated from absorption, narrative transportation, mediated presence, and dissociation, and presence is redefined as freedom of movement among actual, remembered, anticipated, and imagined worlds.