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The Cosmos and the Cage: Masculinity and Mysticism in Blackwood's ‘The Eccentricity of Simon Parnacute’ (1910)

Milly Kate Harrison

Gothic Studies November 1, 2025 DOI: 10.3366/gothic.2025.0242 (opens in new tab)

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AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Topics Mysticism
Key points Argues that Algernon Blackwood's early story 'The Eccentricity of Simon Parnacute' uses speculative fiction to depict emotional repression and freedom, offering a critique of hegemonic masculinity in Edwardian England that reflects Blackwood's belief in the enduring importance of a connection to the natural world.

Abstract

Algernon Blackwood's fascination with the concept of the personal ‘cage’ and the potential for liberation is central to both his worldview and literary legacy. This article explores these themes in his early, often-overlooked story, ‘The Eccentricity of Simon Parnacute ’, examining its depiction of emotional repression and freedom, particularly within the context of early twentieth-century hegemonic masculinity. Blackwood employs speculative fiction to explore supernatural phenomena but also to examine the speculative possibilities of human experience and societal transformation, offering a nuanced critique of hegemonic masculinity in Edwardian England that underscores his own personal beliefs in the enduring importance of maintaining a connection to the natural world.

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