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How Death is in Tagore’s Thoughts

Bijay Kumar Sarkar

NBPA Journal for Arts, Humanities & Social Sciences June 13, 2025 DOI: 10.65842/nbpa.v1.i1.005 (opens in new tab)

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AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Key points Argues that Tagore's philosophy presents death as a transition and a natural part of the universe's eternal cycle rather than an end, drawing on Vedantic and Upanishadic ideas of the immortal soul (Atman) and Moksha to frame death as reunion with the divine. The text also notes critics contend this view may overlook grief, physical suffering, and cultural differences in death rituals.

Abstract

Rabindranath Tagore’s philosophy of death presents a nuanced, spiritual perspective rooted in Indian Vedantic traditions, viewing death as a transition rather than an end, akin to a doorway into higher consciousness or divine union. His writings depict death as a natural, rhythmic part of the universe’s eternal cycle, emphasizing acceptance, inner spiritual growth, and the unity of life and death within the cosmic whole. Tagore perceives death as a friend, a purifier, and a call for spiritual awakening, encouraging individuals to transcend fear through love, faith, and self-awareness. His thoughts are heavily influenced by Upanishadic ideas of the immortal soul (Atman) and Moksha, advocating that death ultimately leads to reunion with the divine, symbolizing renewal and rebirth. While his poetic and philosophical approach offers comfort and a transcendent understanding, critics argue that it may overlook the raw emotional realities and societal complexities of death, such as grief and physical suffering. His emphasis on spiritual continuity might risk minimizing personal pain or cultural differences in death rituals. Nonetheless, Tagore’s conception invites us to see death not as an obstacle but as an integral part of the universal rhythm, fostering hope, moral integrity, and the pursuit of higher truth amidst life’s ephemeral nature.