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Painting with Zombies: Neuroaesthetics and the Teleological Problem of Phenomenal Consciousness

Dan Durso

Global Philosophy February 1, 2026 DOI: 10.1007/s10516-025-09774-1 (opens in new tab)

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Characteristics Theoretical or philosophical paper Qualitative Peer reviewed
Key points Argues that neuroaesthetics, when combined with evolutionary principles, can offer empirically grounded answers to the "teleological problem of phenomenal consciousness"—the question of why qualitative experiences exist. The author proposes that the field is moving beyond studying brain responses to art toward explaining how and why sensory and qualitative experiences occur, though it remains in developmental stages.

Abstract

Abstract One of the more pressing questions regarding phenomenal consciousness concerns its teleological function. For example, is there a purpose for having qualitative experiences when it seems at least conceivable to live as a zombie void of rich sensory experiences? In this paper, I will discuss recent findings in the emerging field of neuroaesthetics, which could form a novel framework for addressing what I will refer to as the teleological problem of phenomenal consciousness. While still in developmental stages, neuroaesthetics is moving beyond its early incarnations as a science that exclusively studies how the human brain responds to artworks, and into a science that studies how and, importantly, why we have sensory and qualitative experiences. I will ultimately argue that neuroaesthetics, when scaffolded by evolutionary principles, is poised to contribute empirically grounded responses to the teleological problem of phenomenal consciousness.

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