Symphonic mind: States of consciousness in orchestral performance
Richard Gonski
Contemporary Music Review 1996 DOI: 10.1080/07494469600640281 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Commentary Peer reviewed |
|---|---|
| Citations | 2 |
| Key points | Argues that the spiritual aspect of music-making is largely absent from classical music discourse, and proposes that specific conditions in orchestral concerts and rehearsals can foster higher states of consciousness. Suggests priorities for the modern symphony orchestra based on these conditions. |
Abstract
Most musicians and music-lovers would agree that music is a phenomenon that affects the spirit and nourishes the soul. Yet this aspect of music-making is rarely, if ever, discussed in the world of classical music. In his article Richard Gonski identifies some of the conditions that can give rise to a higher states of consciousness during orchestral concerts and rehearsals, and suggests some priorities for the modern day Symphony Orchestra.