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Entering Alternative Realities: Cognition, Art and Architecture in Irish Passage-Tombs

Jeremy Dronfield

Cambridge Archaeological Journal April 1, 1996 DOI: 10.1017/s0959774300001591 (opens in new tab)

Study at a glance

AI-extracted from the abstract
Characteristics Theoretical or philosophical paper Peer reviewed
Citations 38
Key points Argues that the association between passages and concentric motifs in Irish passage-tomb art can be interpreted through the 'tunnel experience' linked to altered states of consciousness, as a means of access between the 'real' and supernatural worlds, and considers the implications of tunnel experiences coinciding with visions of the dead.

Abstract

This article examines the significance of the passage in Irish passage-tombs. An association between passages and concentric motifs in the engraved parietal art is analyzed, and interpreted in terms of the ‘tunnel experience’ often associated with altered states of consciousness as a means of access between ‘real’ and supernatural worlds. In addition, the implications of the coincidence of tunnel experiences and visions of the dead are considered.