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Touching Traces of the Past

Anthony Brand

June 25, 2026 DOI: 10.4324/9781003566892-43 (opens in new tab)

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AI-extracted from the abstract
Characteristics Theoretical or philosophical paper
Keywords Temporality Situated Narrative Affordance Embodied cognition Perception Phenomenology philosophy Existentialism
Key points Argues that traces function as dynamic, quasi-objective phenomena that afford narrative scaffolding and affective engagement in heritage settings. Proposes a three-axis taxonomy (intentionality, materiality, temporality) and contends that affective resonance arises relationally through the constructive superimposition of environmental cues and embodied disposition (Befindlichkeit).

Abstract

This chapter contends that traces are not inert relics but dynamic, quasi-objective phenomena that afford the scaffolding of narratives, generate immersive atmospheres, and invite affective engagement with heritage. Drawing upon frameworks of new phenomenology (atmospheres) and 4E cognition (embodied, enactive, embedded, extended), the author proposes a three-axis taxonomy of traces – intentionality, materiality, and temporality – to elucidate how material residues function as pathic affordances that attune visitors to place and narrative. Through case studies, including Kronborg Castle, the Memorial to the Murdered Jews of Europe, and the Topography of Terror, this chapter examines the interplay between traces, atmospheres, and situated cognition, arguing that affective resonance emerges relationally through the constructive superimposition of environmental cues and embodied disposition ( Befindlichkeit ). The preservation, manipulation, or erasure of traces is thus framed as a profoundly ethical act with significant implications for heritage practitioners. Traces provide an aide-memoire that actively affords and sustains the possibility of narrative – and, by extension, our empathetic perception of it. Without traces, narratives remain unwritten, memories fade, and heritage risks dissolution into the past.