Limits of Embodiment and Metamorphoses of Identity: David Cronenberg’s The Fly
N. Gurov Oleg
Художественная культура April 9, 2026 DOI: 10.51678/2226-0072-2025-4-724-747 (opens in new tab)
Study at a glance
AI-extracted from the abstract| Characteristics | Theoretical or philosophical paper Peer reviewed |
|---|---|
| Keywords | Corporeality Identity Embodied consciousness Body horror Posthumanism Metamorphosis Philosophy of cinema D. cronenberg |
| Key points | Argues that The Fly dramatizes the ontological instability of the flesh, revealing the fundamental dependence of subjectivity on the physical shell and questioning the stability of human identity in the age of techno-evolution. |
Abstract
David Cronenberg’s The Fly (1986) is examined as a philosophical allegory that explores key dimensions of corporeality, identity, and the boundaries of the human. The article focuses on the bodily metamorphosis of the protagonist, Seth Brundle, as a result of a technological experiment that leads to his hybridization with an insect. The author considers how bodily transformation challenges the integrity of the subject and is interpreted through the lens of embodied consciousness, the phenomenology of illness, and posthumanist critique. The study draws upon contemporary scholarship in embodied cognition, philosophy of cinema, and interpretations of body horror as a cultural symptom. Particular attention is paid to the phenomenon of ‘body betrayal’ and the disruption of established boundaries between the human and the non-human. The Fly is read as a tragedy of bodily decomposition, in which visual shock serves as a means of dramatizing the ontological instability of the flesh. The film ultimately reveals the fundamental dependence of subjectivity on the physical shell and questions the stability of human identity in the age of techno-evolution.